This user's manual for the creative disruption of everyday life is an excellent collection of writings and documents on radical interventionist art practices. From the Atlas Group, through Critical Art Ensemble to the Surveillance Camera Players this book investigates the politics and tactics of socially engaged artists and collectives.
Contributors: Nato Thompson, Gregory G. Sholette, Nicholas Mirzoeff, Krzysztof Wodiczko, Lucy Orta, William Pope.L, Critical Art Ensemble, Alex Villar, Ruben Ortiz-Torres, Institute for Applied Autonomy, Surveillance Camera Players, e-Xplo, Valerie Tevere, The Yes Men, subRosa.
MIT and MASS MoCA, Cambridge, 2004, 152 pages, colour images throughout, 21cm x 26cm.
Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers...
With a mixture of intellect, humour, and striking design, Joshua Sofaer: Performance | Objects | Participation analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices. Joshua Sofaer works across boundaries, borders...