With (literally) two starting points and a provocative resistance to received standards of design, Hawthorn seeks to question ideas of legitimisation of the artist through publication. One section of the book is devoted to the artist's critical text taking the Nazi's 1937 Degenerate Art exhibition as the starting point for an investigation of the idea of art against an ideal of political action. The second section invites contributions to the debate from contemporary performance practitioners.
Contributors: Paul Gannon, Juliet Robson, Jordan McKenzie, Roddy Hunter, Glyn Davis Marshall, Otiose (Alith Roberts and John Dummett), Kira O'Reilly and Doran George.
Arnolfini Gallery Ltd, London, 2001, 44 pages, black and white photographs throughout, 24cm x 34cm.
Here Is Information. Mobilise. collects key critical writings by artist and curator Ian White (1971-2013), ranging from reviews and catalogue essays to entries from his blog Lives of Performers.This volume...
British artist Monica Ross (1950–2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated...