The Split Britches theatre company was founded in 1980 by Peggy Shaw, Lois Weaver and Deb Margolin. Their vaudevillian, satirical, gender-bending works transformed the landscape of queer performance and they emerged as one of the U.S's most significant experimental theatre companies, playing a definitive role in bringing a distinctly postmodern lesbian feminism to the stage.
This book brings together a collection of the troupe's theatre writing. Edited and with an introduction and critical history by Professor Sue-Ellen Case, it includes seven of Split Britches' best-loved performance texts, most published here for the first time, with accompanying programme notes and fifteen black-and-white photographs.
Routledge, London 1996. Paperback, 228 pages, 15 b&w photographs, 23.4cm x 16cm.
The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: Carollee Schneemann, Annie Sprinkle, Karen Finley, Robbie McCauley, Ana Mendieta, Ann Magnuson, Sandra...
At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her...