- Continue Shopping
- Your Basket is Empty
Marking the 100-year anniversary of women’s suffrage, Leslie Hill provides a fascinating survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement. Hill’s approachable overview explores some of the pivotal ways in which theatre makers both engaged with and influenced feminist discourse on topics such as sexual agency, reproductive rights, marriage equality, financial independence and suffrage.
Clear and concise, this is an ideal resource for undergraduate and postgraduate students of Theatre and Performance Studies taking courses on Women in Theatre and Performance, Staging Feminism, Early Feminist Theatre, Theatre and Suffrage, Gender and Theatre, Political Theatre and Performance Historiography. This text will also appeal to scholars, lecturers, and Literature students.
Red Globe Press, 2018. Size: 149x210. 230 page, paperback.
ISBN: 978-1-137-50921-5
Other Unbound Items
Theatre Blogging: the emergence of critical culture
Megan Vaughan£24.99
In this epic history-cum-anthology, Megan Vaughan tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today's digital newsletters and social media threads....
Dogs of Love: Manifesting Queer Histories in the Body
R Aslan and Chris Gylee£15.00
Dogs of Love is a companion book to the titular performance by ONCE WE WERE ISLANDS. In this practical guide, we ask you to celebrate queer life and love by...
The Explicit Body in Performance
Rebecca Schneider£31.99
The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: Carollee Schneemann, Annie Sprinkle, Karen Finley, Robbie McCauley, Ana Mendieta, Ann Magnuson, Sandra...
© 2020 Unbound/Live Art Development Agency. POS and Ecommerce by Shopify
