How does proximity between audiences and performers change the nature of live performance? How does it feel? How long can it last? How close is too close?Exploring the rise of close encounter, immersive productions that shine a light on performer-audience relationships, this book considers the impact of space and proximity in live performance.
Drawing on their experience as internationally acclaimed performance artists, Leslie Hill and Helen Paris richly document their creative processes, performances and audience's responses in a series of illuminating case studies. Relating their practice to wider issues in contemporary performance and detailing workshop exercises that aid performance making, this unique fusion of artistic and academic reflection is crucial reading for students, scholars and practitioners alike.
Palgrave Macmillan, 2014. paperback, 236 pages, black and white images, 14 x 22 cm
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Unbound are pleased to offer this collection of texts by the iconic artist, activist, writer, radical pedagogue and artistic director of La Pocha Nostra, Guillermo Gómez-Peña. Offered with a £30...
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This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these...