A critical history of site-specific art since the late 1960s that presents a theoretical framework for examining the political progressivism associated with the form. Considers the relationship of the local with identity in the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Ren̩eGreen, Suzanne Lacy, IigoManglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
The MIT Press, Cambridge, , 2002, 218 pages, black and white photographs throughout, 22.6 cm x 17.5 cm.
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been...
Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore...