Co-authors: Jeremy Akerman, Ang Bartram, Diann Bauer, Jon Bird, Sonia Boyce, Nicky Coutts, Gefn Press, Sigrid Holmwood, Susan Johanknecht, Katharine Meynell, Jim Mooney, Virginia Nimarkoh, Kit Poulson, Emily Richardson, Gary Stevens, Will Stone, Maria Walsh, and H.F. Westley-Smith.
This publication has brought together work from people working independently, as well as at the Tate Gallery, staff and PhD students at Middlesex University, University of the Arts, University of Lincoln, the Slade and the Royal College of Art.
Mutual Dependencies is part artists' book and part academic research. It contains a range of collaborative and inter-dependant work exploring what the practice of art writing might be.
These pages include drawings, recollections, photographs and diagrams, recipes for pigments or preserves, writings, ruminations and tentative articulations; taken as a whole, it engages with the overlaps between score, script, performance, concept and drawing, including scoring the table or drawing conclusions.
Artwords, London, 2011. 160 pages.
This book is an anthology of Mark Edward’s creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography....
Reflecting on the first four years of the Collaborative Arts Partnership Programme (CAPP), Learning in Public: transEuropean Collaborations in Socially Engaged Art offers a series of provocations on the role...
Critical Interruptions Vol I follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.The publication brings together artists, curators and producers, writers...