In this collection of essays edited and introduced by performer and writer Coco Fusco, the inexhaustible richness and variety of Latin American performance is examined in its cultural, political and historical context by leading artists, academics and cultural theorists.
Contributors: Coco Fusco, Silvia Pellarolo, Carmelita Tropicana, Raquel Mendieta Costa, Maria Elena Escalona, Felix Gonzalez-Torres, Nao Bustamente, Roselyn Constantino, Guillermo Gómez-Peña, Evelyn Velez-Aguayo, Antonio Prieto, José Esteban Muñoz, María Elena Gaitán, May Joseph, Raphael Montañez-Ortiz, Charles Merewether, Tania Bruguera, Mariá Teresa Hincapié, Simone Osthoff, Merián Soto, María Elena Ramos, Cesar Martinez, Marta Minujín, Nelly Richard, Lotty Rosenfeld, Francisco Casas, Felipe Ehrenberg, Maris Bustamente, C. Ondine Chavoya, Border Art Workshop/El Taller de Arte Fronterizo, Leandro Soto, Aldo Damian Menendez, Angel Delgado, Ricardo Dominguez.
Routledge, London, 2000, 307 pages, 39 black and white photographs, 24.6 x 17.5cm.
The Live Art Almanac Volume 4 is a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and...
Interdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical...
Exhausting Dance: Performance and the politics of movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the USA....