This book is an anthology of Mark Edward’s creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance. Instead of being an attempt to undervalue or challenge the accepted notions of style within academic research, it promotes a freedom of expression which allows greater fluidity between the researcher, the performer, and the writer.
Palgrave, January 2018. Hardback, with black and white illustrations throughout. 112 pages, 15.2 x 21.6 cm
A retrospective monograph on the pioneering performance artist and teacher Alastair MacLennan. This is the most comprehensive study of Alastair MacLennan’s extensive performance practice, nationally and internationally renowned for its...
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an...