Unbound is celebrating its 10th Anniversary in 2016 and it's fascinating to look back on shifts and developments in Live Art publishing and distribution that have taken place since 2006.
Although LADA were partners on two exceptional publications in 2002 (Manuel Vason’s Exposures) and 2004 (Adrian Heathfield’s Live: Art and Performance), we only became publishers ourselves in 2006 when we embarked on Programme Notes Volume One. Since then we have published over 100 books, DVDs, Box Sets and Editions, including our own publications, artists’ publications, and co-publications with major publishing houses including the Intellect Live series in collaboration with Intellect Books. And we are not alone. In recent years, in response to heightened public interest, expanding areas of scholarly research, new archival initiatives, and developments in technology and online platforms there has been a relative explosion in Live Art publishing.
Unbound reflects these developments. When we launched Unbound in 2006 we sold around 50 titles and we now stock over 300. We originally set up Unbound on the advice of Adrian Heathfield partly as a one stop shop for all thing Live Art, and partly as a form of advocacy for this constantly evolving and expanding area of practice that was increasingly generating new forms of thinking and writing about art and new ways of looking at performance.
We’ve always approached Unbound as a curated site in terms of the titles we sell, the way users can navigate through different themes, and the contextualising materials we offer. Although we do sell many books by major publishing houses, at the heart of Unbound are independent, artist led books, hard-to-find publications, DVDs and editions.
In 2010 as part of her LADA Thinker in Residency Mary Paterson wrote A Navigation Through Unbound, a piece I highly recommend to everyone who is interested in Live Art writing and publishing.
In 2010 we wrote an article for Contemporary Theatre Review on New Adventures in Live Art Publishing that is probably worth revisiting on the occasion of Unbound’s 10th anniversary.
Read Contemporary Theatre Review: New Adventures in Live Art Publishing and Distribution